Film Cyril Mascara - absolute favorite of the Berlinale. Only thanks to Ira Yassin, one of the heroines of the film, I managed to get tickets as a gift from the director. When you log on to a / t were people with plakatiki'll get the tickets. I sat on the floor, the stairs, but any inconvenience is not felt. Still, cinemas complex at Potsdamer Platz - this thing!
film resists the review. He's incredibly versatile. He has a strong and original cinematic language. Shots penetrated pictorial symbols, visual and musical rhythms, mystical scenes in the art of computer graphics, several parallel plots filed cross-assembly. Dominated by medium-sized plans, but there are panoramic photography, mainly landscapes. From the first minute (not frames!) Is given a rate, which only manage "spin." Yes, plus everything else and event series as a detective or thriller. Characters - and their great variety - are not only as informants about events relating to the history of Yukos and its owner, but also as a person. For example, breathtaking mini-portrait of Joschka Fischer. And also Helena Khodorkovsky, MBH first wife, the mother of the eldest son Paul. I thought that the film is quite possible to "feel" L. Nevzlin and several other characters from the inner circle of Mikhail Khodorkovsky.
director is not engaged in moralizing and not getting anyone's side. He gathered and presented the audience all the available and sometimes inaccessible material on Khodorkovsky. Anyone can form an opinion that this man, what kind of process and that the morals in the world where the protagonist lives.
Watch recommend to anyone, regardless of whether you like Khodorkovsky or not. Because the film presented an interesting, wise and knowing look at Russia with a human lens, rather than our internal zamylenny and biased view that the private for the trees can not see forest.
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And a bonus: a poetic sonnet Dmitri Bykov on the testimony of Natalia Vassilieva:
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