In a previous post about the film "Khodorkovsky" (
http://shaherezada.livejournal.com/249655.html
) я упустила многие моменты, которые пришлось дополнить в ответах на вопросы френдов. Выношу эти дополнения в пост, ибо не все, кого интересует film can get to the comments.
Firstly, a lot of material about the film in two publications of Alexander Delphinidae. The author - a poet, writer, publicist and manager Berlin Theater "Panda". Knows the director of Cyril Carcasses personally. Here the material is:
interview
http://kommersant.ru/doc.aspx?DocsID=1574143
the theft of copies of the film: http://www.kommersant.ru/doc-rm.aspx?DocsID=1581708
There are detailed publication on the resource Forbes:
http://www.forbes.ru/ekonomika-column/lyudi/63349-khodorkovsky-vsem-smotret
Secondly, I'm in a previous post said nothing about the author . Cyril Carcasses drew the attention to a remarkable appearance, but otherwise he is completely normal person. Very mandatory, attentive to his companion, discreet and conscientious. In some ways it is even pedantic. Speaks softly and a little bit. Hands are not waved. He has a bright face. Correct, visually distinct features, bright, dark eyes, a romantic beard, which he really is. Compared with the usual vague Slavic our eye it looks like the type of pedigree, however, the family in four generations leaving a trace in the scientific, technical and cultural development of Russia and Germany. The fact that he tyryat valuables in Bali, I was not very surprising - an intellectual, a mile away can be seen that the number is not a ban, the police did not say. But the theft of montazhki in studio burglary 4-door - is a topic for reflection. By fairy nonsense and unnecessary and violent there is already read by writing the Litvinenko case
film is very durable, it is viewed / read by / swallowed in one breath, like a detective novel. True, this is an intellectual detective. In the sense in which literary critics call detectives Dostoevsky's novels (His portrait, by the way, no comment, swims across the screen as an illustration of the purely Russian type martyr sideltsa). The fact that the means of documenting расследования установить кто прав, кто виноват, и где добро, а где зло, невозможно. От зрителя требуется интеллектуальное усилие: мыслительная операция анализа and evaluation of all statements of witnesses in order to define their position on the events on behalf of Mr. Khodorkovsky. "
In this documentary the important role played by artistic component. The preamble to the director as it opens up a color photo in your computer, just not top-down and bottom-up: dark background of the screen slowly rises, and before the audience the entire width appears endless panorama of Siberia: all covered with snow, all flat and monotonous, landscape takes about 1 / 3 of the screen below, and above it are low, leaden, swirling clouds (as in the paintings of the German romantic Caspar David Friedrich in the Old National Gallery on Museum Island in Berlin), cold and lifeless. The picture moves slowly from left to right, and the horizontal frame composition There are two vertically: first deserted oil derrick-chair, and then, through the gap, the church bell tower. Also deserted. Everything is very slow. Then there is a small group of people near the monastery walls. This Siberians, the family is likely. Different ages. On the question of the interviewer: "Do you know who Khodorkovsky?" older woman, after much effort recognizes that does not know a young guy, probably her son, the tenth appearance, says: "Oh, it's a criminal, богатый, он у России много денег украл". Это - эпиграф к фильму. После этих слов - удар гонга, врубается бурная музыка Пярта, и темп фильма становится как буря: Siberia is replaced by a realistic computer graphics, the rate of all increases, on the airfield aircraft deployed a ghost, there a lonely man sitting ghost. By appearance, the silhouette is noticeable that it is intellectual. He was obviously under stress, even in fear, looks around at the sides glowing eyes behind the glasses-lanterns. Suspense. Pause. Horor-episode: the interior of a civilized plane bursts into savage element - break out the door battering ram, burst into the masked bandits policemen, they are the butt of killing a security guard standing at the door, rushing down the aisle, surrounded by a bunch of lone passenger and brutal roaring switching to falsetto yell: "Well stood" I got up! "He got up!" and he hands to climb up and stands tall, lean and handsome, with dignity and elegance. Wolf pack rushes at him and on his hands snap shackles. This is the second epigraph. It all actors - the empty envelope, as in the movie "Dogvil. Perhaps the author of the film here simply reproduced on the screen projection of events in people's minds, perceiving the case of Mikhail Khodorkovsky, reportedly in the Russian media. A further unfolds story of the hero through interviews and conversations with witnesses. The most interesting - it is a subjective attitude towards Khodorkovsky those who speak. There are positions, filled Cave of class hatred - in the spirit of Soviet brainwashing. There is sympathy and understanding of the age, nature of attendant circumstances. There is a complete, mindless identification with the Putin regime. Different people, different styles of thinking, different estimates.
The director, to shoot 180 hours of interviews, material, remains an enormous reserves after installing 111-minute movie. He intends to gradually spread its network. It is possible that for the movie itself will not be another opportunity to get to show to Russia other than through a network. But this - in the future. Now life and biography of the screen, "Khodorkovsky's authorship of Cyril Carcasses are just beginning.
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